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Full Cast And Crew
Release Date: 20 Nov 2009
Genre: Thriller
Language: Hindi
Director: Renzil D\’silva
Producer: Karan Johar
Music Director: Sulaiman Merchant, Salim Merchant

Star Cast : Sunil Dutt, Kabir Bedi, Salman Khan, Ayesha Jhulka, Gulshan Grover, Rohini Hattangadi, Goga Kapoor, Bharat Kapoor, Kunika, Rajesh Puri, Subbiraj, Sunil Dhawan, Ramesh Goyal, Kamal Deep, Ranjeet, Swapna, Sudha Chandran

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Avantika is a teacher in a university in Delhi. She has come back from New York where she teaches, because her father has suffered a heart attack. During this period, she meets a temporary Professor called Ehsaan Khan. Soon they begin seeing each other and love blossoms. A few months later, Avantika receives a call from her university in New York, asking her to come back for the Fall Semester. Avantika breaks the news to Ehsaan. He in turn, tells her he doesn't mind coming to the States with her, to find a job. But first they need to get married.

Soon after the marriage, they leave to start a new life in New York. They buy a house in an Indian neighbourhood and move in. Just as they are setting up home, their conservative Muslim neighbours, Hamid and Anjum, invite them over for dinner. The next morning, Salma, one of the women Avantika met the night before at the dinner, visits her under the pretext of gifting her sweets. When Avantika invites her in, Salma tells her that she is in grave danger. Nothing is what it seems. Salma pleads with Avantika to help her. What follows next, is a series of incidents that sucks Avantika into a vortex of danger and intrigue. As her life spirals out of control, Avantika realizes that she is a pawn in a huge game. And no one is to be trusted

It's a tremendous start to the album, what with Salim Merchant coming behind the mike to open 'Shukran Allah' in a manner similar to that of Kailash Kher crooning of 'Subhan Allah' [Fanaa]. Within seconds, Sonu Nigam takes over and you instantly know why he is simply the best that we have today when it comes to crooning melodious romantic tracks. His trademark silky voice is at play once again in this beautifully composed number which easily finds a place at the top of romantic numbers composed by Salim-Sulaiman. If the 'mukhda' is impressive then watch out for the 'antara' - it proves once again why Indian melody can never ever be out of vogue. Shreya Ghoshal joins the scene three and a half minutes into 'Shukran Allah' and makes an instant impact. This is one song that would be played for a long-long time and is easily one of the best that we have heard this year.

Music Review

It's the sound of guitar that lends a modern day feel to 'Dua Hai'. Though the English portion by Marianne D'Cruz has a distinct (and oft repeated sound by Salim-Sulaiman), it's the coming together of Sukhwinder Singh and Kailash Kher which brings in a different dimension to 'Dua Hai'. A fusion 'qawalli' that sees a mix of 'sufi', 'rock' and 'pop' coming together, it's the hook of 'Dua Hai' that keeps the ball rolling for song. While Kailash Kher brings in his own rustic touch to the track, it is usual energy that Sukhwinder Singh brings to the proceedings which make 'Dua Hai' special. Hear it for a couple of times and you would be hooked on for sure.

Salim Merchant gifts himself an entire song as a singer in the form of 'Ali Maula'. A situational track that should play as a part of the film's background, it has the kind of lyrics that may not be comprehendible to the common man. However, in the context of the film, one can well imagine it to be making a huge impact. Rendering a pensive feel to the proceedings with the protagonist kneeling before God to lend enough courage for him to accomplish the impossible, 'Ali Maula' carries trademark Salim-Sulaiman sound. In addition, the 'remix version' is well done too and makes one hit for a couch in the lounge!

Remember the impact that songs like 'Naina' and 'Laakad' had made after they were seen and heard in Omkara? Similar dark, haunting yet romantic touch is pretty apparent in 'Rasiya' which sees a fusion of Indian and Western classical music. Excellently crooned by Shruti Pathak who keeps her voice low for this sensual, romantic and poetic track, 'Naina' is yet another quality song by the young singer who has earlier rendered one of the best tracks ever by Salim and Sulaiman - 'Mar Jaava' [Fashion]. The composers certainly know how to pitch her voice and in what situation. No wonder, 'Rasiya' is pretty much a testimony to this fact.

Soon after this slow moving number comes a highly energetic title song 'Kurbaan Hua' which proves once again that Vishal Dadlani is seriously taking his stint behind the mike. Singing quite regularly now for the compositions created by him along with Shekhar, Shankar-Ehsaan-Loy and also Salim-Sulaiman, Vishal rocks the show, literally, with 'Kurbaan Hua'. This is a kind of number which evokes instant reactions and immediate appreciation. 'Kurbaan Hua' is a rock track that completely goes with the action packed theme of the film, hence making one look forward to it's placement in the narrative. Other than 'Shukran Allah', this clearly is the pick of the lot in Kurbaan.

OVERALL

Kurbaan is a quality album all the way and clearly the best that Salim & Sulaiman have offered since Fashion. A difficult album to compose considering the kind of theme that the film comes with, Kurbaan boasts of the kind of sound that is consistent throughout. While quite a few tracks would be noticed more after the release of the film, there are songs like 'Shukran Allah' and 'Kurbaan Hua' that would make sure that Kurbaan makes a good head start at the music stands.

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